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Page 2 - Marianne Van Lent / January |
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approach has much in common with Cezanne but the sensibility of this work recalls early American Modernists such as Arthur Dove, Milton Avery and especially Georgia O�Keefe. Although such references exist, Van Lent�s touch is exemplified by her magnificent use of color and application of surface. This represents the real heart and soul of the work. Notice how the forms and compositions are kept large and simple, which in effect dresses the stage for the dramatic use of color, contrast and surface. |
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Glowing Visage, fresco secco and suspended pigment on canvas, 16 x 16 in |
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The color in this work is magnificent and though distinguishable in large segments; i.e., Vermilion Sky might be described as an �orange� painting, is carefully constructed from a complex mixture of hues. Most often the color is warmly inviting and envelops the work which contrasts with the often lonely and remote subject matter. Glowing Visage is one of the more abstract pieces that also embodies a wonderful range of color. The upper portion presents an intelligent blend of warm and cool hues that define a whitish sky whereas the lower portion mixes various combinations of complementary greens and reds which may be |
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Nova Scotia Island, fresco secco and suspended pigment on canvas, 18 x 24 in |
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Vermilion Sky, fresco secco and suspended pigment on canvas, 36 x 36 in |
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